Surprise Release: neue Liturgy flat
Autor: thestraightedge
Datum:15.11.19 09:02
Antwort auf:Black Metal im Wandel der Zeit [Musik, for sure] von thestraightedge

Man mag ja von Hunter Hunt-Hendrix' überkandidelter Art denken was man will, aber das ist wieder ein bockstarkes, forderndes und lohnendes Album, das mit Konventionen bricht.

Im Stream und ab Februar auch physisch:

Natürlich gibts auch wieder Konzepte und so:

Reinhören, das knallt und verzaubert. Anspieltipps: Pasaqalia und God of Love

Aus der Selbstbeschreibung:
H.A.Q.Q. is the fourth studio album by transcendental black metal band Liturgy. Featuring their characteristic yearning guitar harmonies, epic song structures, and intense drumming, H.A.Q.Q. boils over with harp, piano, gagaku ensemble, pitched percussion, strings, and digital manipulation. It represents a consolidation of the band’s sound to date, a combination of the mathematical complexity of 2011’s Aesthethica and the glitchy experimental fervor of 2015’s The Ark Work. While ecstatically invoking heaven, H.A.Q.Q. is also Liturgy’s most vulnerable record for Hunter Hunt-Hendrix, addressing anger and struggles around mental health, sexuality, and religion. In part a reflection on Liturgy’s uniquely controversial career, it attempts to render the spirit of a cultural era whose basic fabric is unravelling, and to generate an energy of prophecy and love in the name of what is to come.

Hunt-Hendrix composed the album during 2018, drawing from a reservoir of material, some of which had existed for years, while simultaneously creating the forthcoming opera Origin of the Alimonies and philosophical System of Transcendental Qabala (depicted graphically on H.A.Q.Q.’s album cover). These latter two projects represent an interdisciplinary effort to create a total meaning system. The composition of H.A.Q.Q. was a sudden detour, but it is related to these other works as a point of entry. After performing in the debut of Origin of the Alimonies in the fall of 2018, the band spent 6 months bringing the album to life before recording it in August of 2019 at Machines with Magnets with Seth Manchester.

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